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as a painter I have difficulty to apply the word sculpture for my experimental or  attempted excursions into three-dimensional artwork, even though the exterior appearance of such objects might give such an impression. The wording object seems more suitable to me, therefore, as this does not force me into any category and does not lead the reflecting viewer onto any art-historical rail. The following performance does not allow any chronological order of its creation: the origin of idea-finding layed mostly beyond usual perception of time and space.